New Paintings_2024-2025

Painting has always been the foundation of my artistic practice—a matrix through which I shape, deconstruct, and reimagine ideas. While my work extends across various media, from animation to digital formats and immersive experiences, painting remains the primary conceptual framework from which all my projects originate.

In the New Paintings series, my approach oscillates between associative abstraction and transfiguration—forms that hover between the recognizable and the undefined, evoking associations while resisting complete resolution. For me, painting is a process of continuous metamorphosis, where forms emerge spontaneously, dissolve, and transform. Each painting is an open structure, a space where meaning is not imposed but unfolds through the dynamic interplay of color, form, and space.

My painterly method shares similarities with contemporary abstract practices, yet it distinguishes itself through the integration of computer-generated stencils. This approach allows me to merge spontaneous gestures with precisely controlled interventions, creating a visual language that balances intuitive expression with systematic compositional organization.

Color functions as the primary structural element, defining spatial relationships within the canvas. Expanses of deep cobalt may assert themselves as independent forms, while contrasting strokes of red or violet introduce shifts in visual rhythm. Although I employ stencils, my process is far from mechanical—within sharply defined contours, subtle tonal shifts, gradients, and traces of manual application emerge. This interplay between control and chance imbues the paintings with dynamism, making them simultaneously precise and open to interpretation.

Each work in this series begins with an element of spontaneity—I apply paint through fluid gestures, allowing the material to find its own course and form. Following this, a structural phase unfolds, where stencils and deliberate interventions refine the composition. This dialogue between chance and control has become central to my practice—embracing the unexpected while guiding the visual movement within the painting.

Despite my engagement with various media, painting remains the origin point—the space where the key aesthetic and conceptual directions of my work take shape. Every new project, whether an animation, video game, or digital installation, always finds its initial impulse in painting. In this sense, New Paintings is not an isolated series but a fundamental part of my artistic process.